The latest issue of Remix Magazine US says the following about M.Fusion's new album THIS SOLUTION:

Soundtrack to the best B movie you've never rented

Gazing into a crystal ball warped by hip-hop mind control and new wave/electro's first eyeliner, Fusion's chrome-rusted future, from “Case for the War” to “The Passenger,” draws on Deltron 3030's anti-virus strategies. The universal fretfulness is either emphatic or an irritant itching beneath, and optimism, as per “Freedom 1,” becomes a tainted olive branch. Fusion's fear factor lies in banks of synthesizers bleeding anxiety. Having been left for dead, they propel phantom operas “Belief” and “The Fall” to map out a compelling, nerve-striking escape from L.A. — Matt Oliver

Platform8470 Belgium says:

He's called the 'Brian Eno of rap', but we suspect that he's also influenced by Kraftwerk, (more recently) Radiohead, Aphex Twin and tons of movies (David Lynch -or John Carpenter even?-). M.Fusion, affiliate of the Shape Shifters, is not your average hip-hop producer, can we call this hip-hop? Well, the drums are mostly hip-hop, a few times drum-n-bass, but the soundscapes he weaves around them are transcending anything that can be called a 'boom' or a 'bap'. Mind-buggling, electrified and cinematic, a peculiar tapestry of sound takes the the listener away to a sonic dimension that has been seldomly discovered through a contemporary instrumental album that is categorized under 'hip-hop' (another reason to not just label this as 'hip-hop'). Drenched in a collage of noises, regenerated by Casio and Kawai, distorted voices intertwined with movie samples, and here and there a lonely rap quote ('who's a Black Sheep?'), one gets easily swept away in a soundtrack that doesn't need a movie or it is the one told in your unoccasional dream about a future that is dominated by computer revolutions and robot wars. Not only for the fans of '2001: A Space Odyssey' or 'Blade Runner' but for all music appreciators who'd like to hear a bit of the 2020s (or 80's?).